Sopheap Pich - in the New York Times

Sopheap Pich is featured in a New York Times article, "Cambodian Art Emerges From Horrors of a Murderous Past".

To read more about Pich (who is referred to as Pich Sopheap in the article) , click on his name in the list to the right.

To read the article, click here

Kyoko Okubo - a new work

To read more about Kyoko Okubo, click on her name in the list to the right.

Ten Nathadwara drawing - in a private collection

These works are small studies, most smaller than 12 in. x 14 in.

Click on image for a larger view.

For more information, click on "Krishna/Shrinathji/Nathadwara" in the list to the right.

Lisa Cline - a few new works

For more information on Lisa Cline, click on her name to the right.

Click on images to enlarge.

Matthew Feyld – suggested narrative

These works by Canadian artist Matthew Feyld are visual clues to a story that is implied, but not fully revealed. In a format which is intimate and stylized, Feyld renders figures that express emotions with the simplest gestures. Birds, bears, and humans interact, at times wearing masks, often in ways not grounded in the real world.

These works are from 2007/8 and show Feyld’s interest in the narrative, yet much of his current art presents the figure in a nearly abstract form. To see examples, click below.

Click here to see more works by Matthew Feyld

Allyson Mellberg – papercuts

Allyson Mellberg is known for her watercolors. This medium enhances her rendering, giving form to gentle figures with washes of color.

When making her papercut works, Mellberg takes another approach. In these efforts, wash and color are gone. Simple sheets of paper are cut to shape, defining figures that suggest their stories with nuanced gestures.

Unlike most artists who rely on a heightened contrast between figure/ground when making papercuts, Melberg uses non-opague paper giving an unusual softness to the images.

click here to see Allyson Mellberg's Etsy page